| CURRENT
ISSUE :: OCTOBER 2003 :: CAREERS
Work Behind the Curtain
Entertainment Industry Needs More Than Just
Actors and Singers
By Sarah E. Needleman
CareerJournal.com
Are
you passionate about getting into show business, but unable to act
or sing? There may be a role for you yet.
The TV and film industries are large and complex
enough to encompass a wide variety of career opportunities in such
fields as finance and accounting, computer science, public relations
and law.
Graduates unfamiliar with the nuts and bolts of
the industry should do some research before hitting the job market,
says Leonard Mogel, author of "Careers in Communications and
Entertainment." He recommends perusing leading trade publications
and exploring industry-specific Web sites. It also may be helpful
to take courses at a film school. "It's worth the extra effort
because you'll learn so much about the industry and how it functions,"
he says.
Here's a look at some of the job opportunities:
Finance and Accounting
Behind every blockbuster movie, TV show and music
video, there's a team of financial experts responsible for the project's
enormous budget. For example, HBO employs about 200 finance professionals.
New hires typically start out as financial assistants or financial
analysts, the most common entry-level positions available there,
says Angela Parler, HBO's director of human resources. Assistants
work in accounting and financial planning, cash and revenue operations,
disbursements and payroll departments. A finance-related degree
is preferred for the job and prior work or internship experience
is highly desirable, says Ms. Parler. Analysts work in financial
reporting and analysis. For this job, a degree in accounting or
finance is required, and certification as a public accountant is
preferred, she says.
Computer Science
With the explosion in computer-generated special
effects, jobs have become more plentiful in the entertainment sector
for computer-science and similar majors. Greg Weiner found a position
at Industrial Light & Magic, the George Lucas special-effects
house, a few months before completing a master's degree in visualization
science from Texas A&M University. As a computer-graphics technical
assistant, Mr. Weiner works a graveyard shift, using software to
check the progress and quality of images used in movies. Not all
entry-level jobs demand such odd hours, but many involve work that
can take place only after a scene has been shot, and often that's
late at night. "To get your foot in the door, you have to be
willing to pay your dues," says Mr. Weiner, whose salary is
in the mid-$40,000s.
Talent Recruiting
By working at a talent agency, you may be able
to help a struggling actor land his or her big break. But first
you'll have to win yours by working your way up. A common entry-level
job is receptionist, says Craig Holzberg, an agent at HWA Talent
Representatives, a midsize agency with offices in New York and Los
Angeles. To gain the most hands-on experience, he recommends starting
at a small or midsize firm. Mr. Holzberg says advancing to the assistant
level may not take long for those who demonstrate solid communication
skills, the ability to juggle multiple tasks, and a passion for
the business. "Since one of the main functions of an agent's
job is to pitch clients to casting directors, these attributes are
invaluable when looking to be promoted to an assistant position,"
he says.
Public Relations And
Marketing
Watching movies is part of Diane Tang's job. The
2002 graduate of UCLA works as a publicity assistant at mPRm, a
marketing and public-relations firm in Los Angeles. She learned
about and applied for the position after it was posted at her school's
Web site. A double major in communications and psychology, Ms. Tang
says her internship experiences in publicity and marketing departments
at production companies helped most in landing the entry-level job.
Her primary duties are contacting various media outlets and pitching
story ideas to publicize movies newly released on DVD. She also
clips articles from newspapers and magazines about the firm's clients,
which include home-video and DVD distributors, and informs them
of what appeared. Her salary is between $25,000 and $30,000.
Writing and Editing
Only a select number of unknown screenwriters succeed
at selling movie and TV scripts, and staff-writing jobs at networks
and studios are scarce, says Mr. Mogel, the author. As a result,
he recommends that college graduates pursue assistant roles to gain
experience. A posting on the Web site of MGM Studios outlines the
typical duties of an editorial assistant: proofreading, maintaining
files, distributing materials and scheduling meetings. English majors
are preferred and excellent written and oral communication skills
are required, the ad says.
Another option is to work as a transcriber, which
involves typing out dialogue in movies or TV for closed captioning.
The entry-level job can lead to a position as a closed-caption editor,
whose role is to edit and format the transcribed text, says Jim
Huerta, CEO of Soundwriters. Some large networks and studios have
an in-house team of transcribers and caption editors, while others
hire independent companies such as Soundwriters. In greatest demand
are graduates with degrees in English or journalism, he says.
Entertainment Law
If you want face time with celebrities and other
industry hot-shots, consider a career in entertainment law. "One
of the fun aspects of this job is getting to know some very talented
and accomplished people," says Richard Heller, a partner with
entertainment law firm Frankfurt Kurnit Klein & Selz in New
York. But be prepared to go the extra mile. To get a job as an entertainment
lawyer, you'll need a law degree as well as a few years of experience
in a corporate-law department, says Mr. Heller. New hires are generally
brought on as associates and work under a partner's supervision
drafting contracts for entertainment professionals or representing
them in contract negotiations.
Salaries vary depending on the size of a law firm
and years of experience. Licensed attorneys (not necessarily in
entertainment) with one to three years' experience earn average
annual pay of $42,750 to $64,000 at small firms, and up to $94,000
to $123,250 at large firms.
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